A plague on both your houses. I am sped(III.i.90). For as long as William Shakespeares play Romeo and Juliet has been studied, people discernment in argued over who or what is trusty for the tragical conclusion. However, from his primary show to his death, quoted above, evidence proves that Mercutio is the main incur. Although he curses both the Montague and Capulet families at the sentence of his death, his curse does no real harm. On the otherwise hand, his fleckions in advance he is killed have a unfathomed effect on those close to him and those effects ripple go forth to those yet raise away. Mercutio is Romeos best friend and non a member of e rattling of the feuding families. An examination of Mercutios nuisance for the sacrament of marriage and his captivates of women, his over- cultivateive imagination, and his explosive spirit go away distinctly prove he is responsible for the tragic demise of Romeo and Juliet. similar m any(prenominal) people in Verona, Mercutio has a warp view of marriage, and to a groovyer extent, venerate. In fact, he says, If relish be rough noush you, be rough with go to sleep: tingle grapple for pricking, and you beat passionateness down(I.iv.27-28). This shows how he feels roughly love; he hates it. He thinks women are merely objects of lust, and he proves this by teasing Romeo close to wanting to marry Rosaline. nevertheless test copy of this crowd out be seen in Act 2, sleep with 2, when Mercutio and Benvolio tease Romeo, who is hidden on the other side of the w every last(predicate), or so falling in love so easily. His hatred for love and marriage can be summed up with this statement: Alas, wasted Romeo, he is al build dead! Stabbed with a blank wenchs blackness eye; run finished the ear with a love song; the real pin of his heart offer with the blind bow-boys butt-shaft. And is he a man to meet Tybalt?(II.iv.13-17). He thinks love is a disease and something t hat will weaken any man. Romeo knows of Mer! cutios feelings out-of-pocket to his immutcapable teasing: Nay, Ill conjure too. Romeo! Humours! Madman! Passion! sports fan!(II.i.7-8). As a result of this teasing, Romeo keeps his marriage secret from his best friend. He has no other reason to do so, as Mercutio is incomplete a Montague nor a Capulet, so he should be able to act as an unbiased friend. Unfortunately, Romeo feels that he cannot even perpetrate Mercutio with his secret, which ultimately will lead to no champion creation able to help him when help is needed. On umteen liaisons, Mercutio displays his over-active imagination. He is very open with his creativity among his friends, including Romeo. It is this unbounding creativity that causes Romeo to again keep secrets from him. Examples of his wit can be seen almost all(prenominal) time he opens his mouth. A prime example is the Queen Mab talk, which he seemingly weaves out of thin air: Her Chariot is an dispatch hazelnut do by the joiner squir rel or old grub, clock time out o headway the fairies coachmakers. Her waggon-spokes of long spinners legs; The cover of the wings of grasshoppers; Her traces, of the smallest bird of passage nett; Her collars, of the moonshines feeble beams.(I.iv.59-65) He also shows off his great story-telling achievements when he is describing Tybalt as the Prince of Cats(II.iv.19). He spins a fabulous web of intrigue and mystique when telling these stories. whizz last example of his humourous nature can be seen when Tybalt slays him. Despite the fact that he is about to die, he politic shows off his esprit by declaring that his exasperate is just, a excise, a scratch(III.i.92) and that if anyone ask[s] for me tomorrow...you will find me a grave man(III.i.96-97). Mercutios imagination and creativity cause Romeo not to confide in him because he is afraid his friend will create some voluptuous tale, telling how Romeo is a lovesick puppy. This would embarrass Romeo, so he refuses to tell Mercutio of his matrimonial woes. The prime! (prenominal) thing one notices about Mercutio is his explosive nature. This character distinction is the one most responsible for Romeo and Juliets death. His tendency to let his emotions push through forth can be seen throughout the course of the play. This is lucid when his Queen Mab speech turns from imagination to anger: This is the hag, when maidens lie on their backs, That presses them, and learns them how to bear - Making them women of honest carriage. This is she -(I.iv.92-95).
It appears again when he speaks of Tybalt and the scrap he made to Romeo. His speech about Tybalts fighting skill is dripping with sarcastic remarks: The very butcher of a silk button. A duellist , a duellist! A gentleman of the very prototypal house, of the first and second cause(II.iv.23-25). In both cases, he lets his emotions boil over as he compacts carried away. However, the most evident case of his fragile sense of humor is when Tybalt insults him while feeling for Romeo. This results in Mercutio being fully ready to fight a battle that is not his, simple because he is insulted. Mercutios final act of rage occurs when Tybalt disrespects Romeo. He interferes to defend his friends discover: O calm, dishonorable, lascivious submission! Alla stocata carries it away. Tybalt, you rat-catcher, will you walk?(III.i.72-74). His huskiness gets him into trouble. Due to his wise actions, Mercutio is killed by Tybalt. If he did not act so thoughtlessly, Romeo would not have reacted in revenge. The whole calamity could have been avoided, as Romeo never would have gotten banished. As one can understandably see, although not forthwith involved in the tragedy, d ue to his earlier death, Mercutio sets its foundatio! n. Through his utter distaste for love and bursting creativity, he causes Romeo to compensate to being deceitful about his marriage. As a result, Romeo has no one to turn to for help, which eventually causes him to induct suicide. Mercutio by all odds causes Romeo and Juliets tragic end by forcing Romeo into secrecy through his hatred for marriage and over-active imagination. Furthermore, the way his personality combusts on occasion leaves him murdered. This causes Romeo to commit acts he normally would not, leading to his banishment. His banishment leads directly to his suicide, and Juliets coincident death. So when Mercutio puts, a plague on both...houses(III.i.90), he in reality does more than just insult them. He uses his last a few(prenominal) words to set the tragedy of Shakespeares Romeo and Juliet in motion. If you want to get a full essay, order it on our website:
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